![]() Just remember to keep oil-based lotions, sunscreens, body wash, etc off your tats! After it’s soaked into your skin, go ahead and hop in that ocean, pool, or shower. ![]() HOWLING WOLF EXPRESS MENU SKINYes, it is! Make sure to apply it to completely dry skin and let it set for about 30 minutes to ensure the adhesive has had time to bond. Apply a lotion to moisturize and soothe the skin area afterwards. To remove your tattoo, simply soak your skin in baby oil, olive oil or coconut oil for one minute then gently scrub off. These types of oil based substances will begin to degrade the adhesive. To take care of your temporary tattoo: avoid any soap, sunscreen, lotions or oils near or on your tattoo. Your ArtWear Tattoo will last between 3 and 10 days, depending on where it is placed and how well you take care of it. HOWLING WOLF EXPRESS MENU DOWNLOADYou will find all the details on the back of the packaging.Ĭlick here to download the application instructions With Wolf, the song’s the thing.Take a picture with your phone and post it on Instagram using the hashtag #artweartattoo !įor best application, ask a friend to help position your Tattoo so your skin does not twist or stretch. Warren Haynes capably handles the vocals, but the concentrated emotional force of Wolf’s indelible original is lost as the band takes off on one of their typical extended jams. “Who’s Been Talkin’” has been covered by Robert Cray, the Steve Miller Band, Tom Waits (in concert), and the Allman Brothers, who have been playing it in their recent shows, including this year’s engagement at New York’s Beacon Theatre. ![]() Wolf is backed by Hosea Lee Kennard on piano Otis Smothers and Willie Johnson, guitars Alfred Elkins, bass Earl Phillips, drums, and saxophonist Adolph Duncan, who threads a sweet and sour melodica line through the song and around Wolf’s pained vocal and harmonica blasts. It is basically a superior re-make of “Going Back Home”, a tune he recorded the previous year. One of only two songs on Rocking Chair written by Howlin’ Wolf, “Who’s Been Talkin’” also is one of the album’s oldest tracks, recorded in 1957. But he fesses up to his part in the drama: “I’m the causin’ of it all”. He complains that “she’s doin’ me wrong”, and he wants to know who put the word out about his tomcatting (“Who’s been talkin’ / Everything that I do”). She “caught the train, left me all alone”, he laments. In “Commit a Crime”, he tells us his woman “mixed my drinks with a can of Red Devil lye / Then you sit down watch me hopin’ that I might die”.īut in “Who’s Been Talkin’”, the Wolf is sorrowful, even regretful, over the behavior that caused his lover to leave him. The title of one says it all: “I Asked Her for Water (And She Brought Me Gasoline)”. Howlin’ Wolf recorded two of the starkest, scariest songs in the blues about “mean mistreater” women. Bluesmen–the genre is of course male-dominated–often express mistrust of women, and sometimes misogyny as harsh as anything in rap.Īlthough it’s usually the man who’s the aggressor, sometimes the roles are reversed. Violent imagery is hardly uncommon, with razors, knives, pistols, “Gatling guns” (see: Robert Johnson) and fists making recurring appearances (the minor subgenre of gay-themed blues, however, tended to be more ribald and good-humored). ![]() Blues songs often are brutally candid about the power struggles in heterosexual relations. But blues singers were sending that message long before the spandex-loving rocker from Long Island. ![]() Pat Benatar told us back in the 1980s that love is a battlefield. ![]()
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